BFI LFF 2024: Harvest (2024)
★★★☆☆
Life in a remote rural community is disrupted by three intruders and then by a new landlord threatening upheaval in director’s Athina Rachel Tsangari’s drama Harvest.
★★★☆☆
Life in a remote rural community is disrupted by three intruders and then by a new landlord threatening upheaval in director’s Athina Rachel Tsangari’s drama Harvest.
★★★☆☆
In Camera, written and directed by Naqqash Khalid, is a debut satirical drama full of pain about the racism experienced by second-generation Asians in Britain.
★★★★☆
La Chimera by Alice Rohrwacher is an enigmatic, dreamlike Italian fable.
★★★☆☆
The relationship between Priscilla and Elvis Presley is told from Priscilla’s perspective in writer-director Sofia Coppola’s dreamily subdued Priscilla.
★★★★☆
strong>The Delinquents directed by Rodrigo Morena is an enthralling, misleading Argentinian film – original but also reminiscent of Spike Jonze or a reversal of The Shawshank Redemption.
★★★★☆
Perfect Days is acclaimed director Wim Wenders’ Tokyo-set film for which Koji Yakusho won a well-deserved Best Actor award.
★★★☆☆
The Settlers is an angry, violent Western-type version of the brutal colonial birth of Chile by first-time filmmaker Felipe Gálvez.
★★★☆☆
Traces (Tragovi) is a sensitive portrayal by first-time feature director Dubravka Turic of a Zagreb academic’s journey through grief to identity. It is Croatia’s entry for the 2024 Oscars.
★★★★☆
Fallen Leaves is Aki Kaurismäki’s drily touching film of a kind of love story amid the grinding reality of life.
★★★★☆
Passages is Ira Sachs’ toxic European love triangle set in Paris, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos.
★★★★☆
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
★★★★☆
Faya Dayi, a poetic documentary by director, producer and cinematographer Jessica Beshir, paints a tapestry of haunting recollections and stories about khat that create a vivid picture of the socio-political landscape in Ethiopia.
★★★★★
strong>Drive My Car, directed with a delicate, luminous touch by Ryusuke Hamaguchi, deservedly won the Oscar this week for Best Film International Feature, the first Japanese film ever to do so.