BFI LONDON FILM FESTIVAL 2024: 9–20 October 2024
span style=”color:#D1A316″>★★★★☆
BFI London Film Festival 2024
First-time filmmakers
In Camera (2023)
★★★☆☆
In Camera, written and directed by Naqqash Khalid, is a debut satirical drama full of pain about the racism experienced by second-generation Asians in Britain.
Sheffield Documentary Festival: The Boy and the Suit of Lights (2024) (El niño y el traje de luces)
★★★★☆
The Boy and the Suit of Lights is a raw documentary by Inma De Reyes that uncovers an insider’s view of some of the tensions between traditional and modern Spain.
Cannes Film Festival 2024: Day 5: 18 May: Most People Die On Sundays (2024) (Los domingos mueren más personas)
★★★☆☆
Most People Die On Sundays, written and directed by and starred in by Iair Said, is a very personal, heartfelt portrait of the absurdities of life and death.
Cannes Film Festival 2024: Day 5: Friday, 17 May: Holy Cow (2024) (Vingt Dieux)
★★★★☆
Holy Cow, co-written and directed by Louise Courvoisier, is an involving coming-of-age story set in rural France.
Cannes Film Festival 2024: Wednesday, 15 May: Simon of the Mountain (2024) (Simón de la Montaña)
★★★★☆
Simon of the Mountain, the feature debut of Federico Luis, intrigues you with its ambiguity as it follows the life of a disabled young adult.
Tiger Stripes (2023)
★★★★☆
Tiger Stripes is a compelling coming-of-age body horror, the first feature by Amanda Nell Eu.
Our Mothers (2019) (Nuestras Madres)
★★★★☆
Our Mothers by Cesar Diaz is a very moving story of the long-lasting aftermath of genocide and civil war on survivors’ lives.
Omen (2023) (Augure)
★★★☆☆
Omen is multidisciplinary artist Baloji’s magical realist award-winning first feature.
If Only I Could Hibernate (2023)
★★★☆☆
If Only I Could Hibernate written, directed and produced by Zoljargal Purevdash is an involving, behind-the-scenes look at pressing issues in Mongolia, with an ecological message, seen through the life of an endearing teenager.
The Sweet East (2023)
★★★☆☆
The Sweet East is cinematographer Sean Price Williams’ directorial debut, with a screenplay by film critic Nick Pinkerton. It stars Talia Ryder (Never Rarely Sometimes Always) as a contemporary Alice in Wonderland, a student on a dreamlike road trip, satirising US subcultures.
BFI Flare 2024: Riley (2023)
★★★☆☆
High school football star Dakota Riley is winning on the playing field but secretly is grappling with his burgeoning sexuality which threatens to derail his life in writer-director Benjamin Howard’s autobiographical coming-of-age drama Riley.
The Settlers (2023) (Los Colonos)
★★★☆☆
The Settlers is an angry, violent Western-type version of the brutal colonial birth of Chile by first-time filmmaker Felipe Gálvez.