Berlinale 2024: Reas (2024)
★★★★☆
Reas is an extraordinary documentary and musical by Lola Arias set in a women’s prison in Argentina, unlike anything you have seen before.
★★★★☆
Reas is an extraordinary documentary and musical by Lola Arias set in a women’s prison in Argentina, unlike anything you have seen before.
★★★★☆
The Editorial Office, the second film by Ukrainian Roman Bondarchuk, is a vicious, powerful satire of a post-truth world.
★★★☆☆
Who Do I Belong To, an unsettlingly topical first feature by Meryam Joobeur, looks at identity in a post-ISIS world and sets out to challenge perceptions and prejudices.
★★★☆☆
Driving Mum by Icelandic director Hilmar Oddsson is darkly strange, absurd and poignant.
★★★★☆
Perfect Days is acclaimed director Wim Wenders’ Tokyo-set film for which Koji Yakusho won a well-deserved Best Actor award.
★★★★☆
My Summer with Irène, directed by Carlo Sironi, is a beautiful summer elegy by the sea for two girls together.
★★★★☆
My New Friends written and directed by André Téchiné is an absorbing debate on a contemporary issue starring the wonderful Isabelle Huppert.
★★★☆☆
Heart-warming coming-of-age story Young Hearts is award-winning Anthony Schatteman’s feature debut at the Berlinale.
★★★☆☆
The Visitor is a provocative feature allegory of contemporary British issues by Bruce LaBruce, the Canadian artist, writer, filmmaker, photographer and underground director.
★★★☆☆
The Letter Writer by Layla Kaylif is about the painful coming of age, emotionally and politically, for a boy and a country.
★★★★☆
The Taste of Things, directed by Tran Anh Hung is so, so French. It’s beautiful and it’s a 19th-century love story that is also food and beauty obsessed.
★★★☆☆
Your Fat Friend, a documentary directed by Jeanie Finlay, is the touching story of obesity rights campaigner Aubrey Gordon.
★★★☆☆
The Settlers is an angry, violent Western-type version of the brutal colonial birth of Chile by first-time filmmaker Felipe Gálvez.
★★★☆☆
Natatorium is a female-centred, atmospheric thriller debut in a World Premiere at the IFFR for Iceland’s Helena Stefánsdóttir.