BFI Flare 2024: Our Son (2023)
★★★★☆
When Gabriel and Nicky’s marriage comes to a sudden end, they are soon locked in a tumultuous custody battle for their eight-year-old son Owen in director Bill Oliver’s moving divorce drama Our Son.
★★★★☆
When Gabriel and Nicky’s marriage comes to a sudden end, they are soon locked in a tumultuous custody battle for their eight-year-old son Owen in director Bill Oliver’s moving divorce drama Our Son.
★★★★☆
Evil Does Not Exist by Palme-d’or-winning director Ryu Hamaguchi is a sensitive, mesmeric ecological fable.
★★★☆☆
The Sweet East is cinematographer Sean Price Williams’ directorial debut, with a screenplay by film critic Nick Pinkerton. It stars Talia Ryder (Never Rarely Sometimes Always) as a contemporary Alice in Wonderland, a student on a dreamlike road trip, satirising US subcultures.
★★★☆☆
Baltimore (misleading title) is a biopic of the life of revolutionary class warrior Rose Dugdale in Ireland, written and directed by husband and wife team Christine Molloy and Joe Lawlor.
★★★★☆
Fifteen years after the sudden end of their secret relationship, Victor and David meet unexpectedly and soon reignite their passionate affair with high emotional stakes for both in writer/director Matias De Leis Correa’s Since the Last Time We Met at BFI Flare 2024..
★★★☆☆
The relationship between Priscilla and Elvis Presley is told from Priscilla’s perspective in writer-director Sofia Coppola’s dreamily subdued Priscilla.
★★★★☆
strong>The Delinquents directed by Rodrigo Morena is an enthralling, misleading Argentinian film – original but also reminiscent of Spike Jonze or a reversal of The Shawshank Redemption.
★★★☆☆
What a feeling by Kat Rohrer is a romcom of two middle-aged women, a late ‘coming of age’.
In Chasing Chasing Amy director Sav Rodgers explains in a moving documentary of self-discovery what Kevin Smith’s iconic 1997 romcom Chasing Amy has meant…
Read More★★★☆☆
High school football star Dakota Riley is winning on the playing field but secretly is grappling with his burgeoning sexuality which threatens to derail his life in writer-director Benjamin Howard’s autobiographical coming-of-age drama Riley.
★★★★☆
Rumours, lies, cover-ups and maybe the truth – all are layers of the onion in the compelling Monster, directed by award-winning Hirokazu Koreeda, written by Yûji Sakamoto, with music by Ryuichi Sakamoto.
★★★☆☆
Lusciously beautiful: the doomed romance in Ramata-Toulaye Sy’s poetic debut feature Banel & Adama takes place amid the severe effects of climate change in remote northeastern Senegal.
★★★★★
Do Not Expect Too Much From The End Of The World is a wide-ranging, vicious satire on the post-communist, rampantly privatised, chaotically capitalist economy in Romania and everything else in modern European life, by Radu Jude.
★★★★★
Four Daughters is a powerful and emotionally compelling mixture of documentary and drama directed by Kaouther Ben Hania that examines the roots of fundamentalism and how women pass on self-imposed repression through the generations.