Decision to Leave (2022)
★★★★☆
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook is a haunting Korean neo-noir and yet so much more.
Country
Saint Omer (2022)
★★★★☆
Saint Omer by Alice Diop is a harrowing and haunting political drama about the complexities of being a Black woman and the pressures of motherhood, inspired by real events.
Holy Spider (Ankabut-e moqaddas) (2022)
★★★★☆
Holy Spider, angrily written and directed by Ali Abbasi (Border), is a grisly, reality-based story of violence against women in a patriarchal, theocratic society.
Peter von Kant (2022)
★★★☆☆
Peter von Kant is a gender-flipped re-imagining by François Ozon of Rainer Werner Fassbinder’s 1972 classic power play of sexual obsession The Bitter Tears of Petra von Kant.
Corsage (2022)
★★★★☆
A compelling woman-led re-imagining of the life of Empress Elisabeth of Austria in Corsage, directed by Marie Kreutzer and starring Vicky Krieps.
A Love Song (2022)
★★★★☆
Dale Dickey plays a widow reflecting on life and love and the possibility of connection with an old friend in writer/director Max Walker-Silverman’s tender character study A Love Song.
No Bears (2022)
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
Neptune Frost (2021)
★★★☆☆
Neptune Frost, a visionary collaboration between poet/artist Saul Williams and actress and playwright Anisia Uzeyman, is a unique Afro-futurist political musical filmed in Rwanda.
Triangle of Sadness (2021)
★★★★☆
Triangle of Sadness, Ruben Ôstland’s second Palme d’or winner, is an uncompromising black contemporary satire.
BFI LFF 2022: The Blue Caftan
★★★★☆
The Blue Caftan by Maryam Touzani, screening at the BFI LFF 2022, is a beautiful film celebrating understated love and tenderness in everyday life.
BFI LFF 2022: Decision to Leave
★★★★☆
Cannes-award-winning unforgettable Decision to Leave directed with pyrotechnical flair by Park Chan-wook, which screens at the BFI London Film Festival, is a haunting Korean neo-noir and yet so much more.
Emily (2022)
★★★★☆
Emily Brontë’s creative inspiration is explored through an imagined version of the author’s short life in Frances O’Connor’s stirring directorial debut Emily.
BFI LFF 2022: Triangle of Sadness
★★★★☆
Triangle of Sadness, Ruben Ôstland’s second Palme d’or winner screening at the BFI LFF 2022 on 11 and 12 October 2022 , is an uncompromising blackly contemporary satire.
All is Vanity (2021)
★★☆☆☆
All is Vanity directed by Marcos Mereles is a ‘Marmite’ feature debut.