The Blue Caftan (2022)
★★★★☆
The Blue Caftan by Maryam Touzani is a beautiful film celebrating understated love and tenderness in everyday life.
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Love According to Dalva (2022)
★★★☆☆
Love According to Dalva, directed by Emmanuelle Nicot, features some extraordinarily intense performances in a paedophilia drama where the victim refuses to accept she is a child who has been abused.
Cairo Conspiracy (2022) previously Boy from Heaven (Walad min al-Janna)
★★★☆☆
Adam arrives in Cairo to study at the renowned Al-Azhar University and unexpectedly finds himself drawn into the centre of a dangerous world of religious and political power in writer/director Tarik Saleh’s compelling thriller.
Pacifiction: Tourment sur les îles (2022)
★★★★☆
Pacifiction, a hypnotically paced, dark political thriller set in French Tahiti directed by Catalan Albert Serra, enjoys the Polynesian island’s beauty, but also its inherent vulnerability to threats.
Leonor Will Never Die (2022)
★★★★☆
Comedy-thriller and Sundance award-winner Leonor Must Never Die, written and directed by first-time filmmaker Martika Ramirez Escobar, is an intriguing, galloping meta-romp-mix of fantasy, action pastiche and reality about the power of filmmaking.
Godland (2022) (Volaða land)(Vanskabte Land)
★★★★☆
Godland, directed by Hlynur Pálmason, is an incredibly visually beautiful and involving unfolding story of the consequences of a Danish Lutheran priest’s loss of faith in 19th-century Iceland.
1976 (2022)
★★★★☆
Chilean political thriller 1976 is an unbearably tense and involving debut from actor turned director Manuela Martelli, starring award-winning Aline Kuppenheim.
Thessaloniki Documentary Festival: The Laughing Boy (An Buachaill Geal Gháireach) (2022)
★★★★☆
An Buachaill Geal Gáireach (The Laughing Boy) is the extraordinary untold story of a song that resonated for freedom in Ireland and Greece.
Lanuna: A Yak in the Classroom (2019)
★★★★☆
Set in a remote village in the beautiful mountains of Bhutan, Lunana: A Yak in the Classroom is a charming, photogenic feature debut by writer/director Pawo Choyning Dorji.
I’m Fine (Thanks for Asking) (2021)
★★★★☆
US festival favourite I’m Fine (Thanks for Asking) is a touching, positive indie movie, female written and directed, made during Los Angeles’ lockdown (see the mask use) focusing on the struggles to be independent of a widowed mother who happens to be homeless, black and female – and beautiful.
Close (2022)
★★★★☆
Close by Lukas Dhont (Girl) is a heartbreaking film of two boys’ friendship.
Broker (2022)
★★★★☆
Broker by Hirokazu Koreeda, starring acclaimed actor Song Kang-ho and K-Pop star Lee Ji-eun, is a heartwarming tragi-comic Korean drama about families that form themselves by choice not birth.
Berlinale 2023 Review: El Castillo (2023) (The Castle)
★★★☆☆
Berlinale presents San Sebastián award winner El Castillo (The Castle) a strangely moving mixture of documentary and fiction by Martin Benchimol.
EO (2022)
span style=”color:#D1A316″>★★★★☆
EO, veteran director Jerzy Skolimowski’s compelling, beautifully shot homage to Bresson’s classic, takes a donkey’s eye view of the vagaries of life.