Cannes Film Festival 2018: Day 6
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018.
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
★★★★☆
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Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
★★★★☆
Ofir Raul Graizer’s The Cakemaker is a sweetly moving mixture that stirs together love and grief.
★★★★☆
Mayasaloun Hamoud debut feature In Between is a vibrant, pacey Sex and the City look for the first time at the contemporary pressures on three young Arab women when the ‘city’ is Tel Aviv.
★★★☆☆
Oliver Laxe’s second film Mimosas is an enigmatic, spiritual North African odyssey.
★★★☆☆
With gangster cartels, a film set and violent politicians, Mir-Jean Bou Chaaya’s Very Big Shot has a strangely watchable identity crisis.
★★★☆☆
After An Inconvenient Truth, Davis Guggenheim’s He Named Me Malala brings Malala Yousafzai’s story to the masses. Just a little too easily.
★★★★☆
A stunningly beautiful Bedouin Western by first-time director Naji Abu Nowar, Theeb uses fabulous locations in Jordan to tell a gripping coming-of-age story.
★★★☆☆
Diagnosing the internal conflict of high-ranking Nazi and family man Heinrich Himmler, Vanessa Lapa’s The Decent One exposes the indecency of the “decent”.
★★★☆☆
Israeli and Palestininan schoolchildren overcoming their prejudices as they are taught to ballroom dance together is movingly captured in a fly-on-the-wall documentary.