Venice 2024: The Witness (2024) (Shahed)
★★★★☆
The Witness, directed by Nader Saeivar and co-written with Jafar Panahi, uses women and dance to tell the story of contemporary Iran.
Iran
No Bears (2022)
★★★★☆
No Bears is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
BFI LFF 2022: No Bears
★★★★☆
BFI LFF 2022:No Bears , screening at the BFI LFF 2022, is Jafar Panahi’s latest multi-layered film, boldly showing his plight and that of filmmaking itself in the context of Iran’s draconian restrictions.
Hit the Road (Jaddeh Khaki) (2021)
★★★★★
In Hit the Road by Panah Panahi an Iranian family say so much and yet leave so much unsaid.
Ava (2017)
★★★★☆
Ava is an unforgiving, unforgettable coming-of-age film about a teenage girl’s loss of freedom in Iran from a compelling new filmmaker, Sadaf Foroughi.
Undocument (2017) – ON DEMAND NOW
★★★★☆
Undocument describes so much human misery that it’s hard to watch – but we must.
BFI LFF 2019: Previews (2-5 October)
★★★★☆
BFI London Film Festival previews 2-5 October: Recorder, Axone, Öndög, Clemency, The Warden, A Pleasure, Comrades! and The Antenna.
3 Faces (2018)
★★★★☆
3 Faces is Jafar Panahi’s fourth film since receiving a 30-year ban on filmmaking (or leaving Iran). It’s an involving, compelling, deeply ingrained criticism of the society it quietly observes.
Cannes Film Festival 2018: Day 6
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 5
★★★★☆
Cannes Film Festival 2018.
BFI LFF: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.