BFI LFF 2019: The King (2019)
★★★☆☆
The King by David Michôd takes a revisionist look at the history we know from Shakespeare, with a star performance by Timothée Chalamet as Henry V.
★★★☆☆
The King by David Michôd takes a revisionist look at the history we know from Shakespeare, with a star performance by Timothée Chalamet as Henry V.
★★★★☆
Hitsville: The Making of Motown is an enjoyable, nostalgic celebration of the 60th anniversary of the iconic record label Tamla-Motown.
★★★☆☆
The Personal History of David Copperfield is Armando Iannucci’s brilliantly imaginative transformation of Dickens’ novel to bring out its contemporary resonances.
★★★★☆
BFI LFF 2019: Previews 3-7 October. Beanpole, Lucky Grandma, Nimic, White Girl, Zombi Child and Bad Education.
★★★★☆
I Die of Sadness Crying For You is for all those interested in how music, and the sound of a voice, can take us on journeys no other art form can.
★★★★☆
Shola Amoo’s The Last Tree powerfully focuses on the crisis in black masculinity through the story of a Nigerian-heritage boy growing up in Britain.
★★★★★
For Sama, a documentary about the last days of Aleppo filmed and directed by Waad Al-Khateab, Edward Watts, is the most moving film you’ll see this year.
★★★★☆
Mrs Lowry & Son showcases Timothy Spall and Vanessa Regrave in a claustrophobic two-hander of the abusive relationship that drove one of Britain’s great painters.
★★★☆☆
Tell It To The Bees by Annabel Jankel is a 1950s coming-of-age story that fails to convince.
★★☆☆☆
Vita and Virginia by Chanya Button is a literary biopic doesn’t do justice to its iconic protagonists.
★★★★☆
Yesterday is a magical feel-good fairy tale for adults written by Richard Curtis and directed by Danny Boyle.
★★★★☆
In Fabric is director Peter Strickland’s latest giallo-influenced horror with a pastiche, absurd ‘70s feel.
★★★★☆
Sometimes Always Never, directed by Carl Hunter, is a delightfully quirky film puzzle that revolves around Scrabble and that always-compelling national treasure Bill Nighy.
★★★★☆
Dead Fred is a dark comedy about shady goings-on in a sunny New Forest location to die for, directed in an Ealing comedy vein by Deanna Dewey and starring Sandra Dickinson.