Festival Review: High-Rise (2015)
★★★☆☆
Adapting JG Ballard’s dystopian novel for the silver screen, Ben Wheatley’s High-Rise is a glamorous reproduction of the Seventies high life.
★★★☆☆
Adapting JG Ballard’s dystopian novel for the silver screen, Ben Wheatley’s High-Rise is a glamorous reproduction of the Seventies high life.
★★★☆☆
Celebrating nearly a century of women’s right to vote, Sarah Gavron’s Suffragette is an important and inspirational film on democracy in action.
★★★☆☆
Just Jim by Welsh actor, writer and director Craig Roberts, is a dark, offbeat coming-of-age story set in South Wales.
★★★☆☆
Transporting August Strindberg’s play to colonial Ireland, Liv Ullmann’s Miss Julie imbues her underwhelming tale of forbidden love with Swedish style.
★★★★☆
With powerful performances from Tom Courtenay and Charlotte Rampling, Andrew Haigh’s 45 Years looks back in anger on love.
★★☆☆☆
Armed with a stellar cast and a stylishly bleak cinematography, Henrik Ruben Genz’ Good People is let down by a run-of-the-mill script with nowhere to go.
★★★★☆
A haunting portrait of Sweden’s one and only serial killer, Brian Hill’s The Confessions of Thomas Quick reimagines the collaborative nature of storytelling.
★★★☆☆
The Legend Of Barney Thomson, Robert Carlyle’s first feature as a director is a black comedy that stars him as an inept Glaswegian barber mistaken for a serial killer.
★★★☆☆
A final chapter for fiction’s greatest detective, Bill Condon’s Mr Holmes sees a bright spark battling against the darkness.
★★★☆☆
An intriguing film debut for playwright Debbie Tucker Green, Second Coming is a thought-provoking allegory of an unexplained pregnancy in contemporary London.
★★★☆☆
A sequel to his Oscar-nominated Hope And Glory, John Boorman’s semi-autobiographic Queen and Country finds all fair in love and war.
★★★☆☆
Written and directed by Guy Myhill, The Goob is a memorable British coming of age drama with an unusually strong sense of place in its rural setting.
★★★★☆
The Impressionists and the Man Who Made Them gives art lovers the chance to learn about the stories behind some of the world’s greatest exhibitions.
★★★★☆
An intoxicating alchemy of Shelly and Linklater, Spring is a romantic cross-genre creature feature that is chilling, bold and beautiful.