Michelangelo: Love and Death (2017)
★★★★☆
To coincide with a major show at London’s National Gallery, Michelangelo: Love and Death, the latest offering from Exhibition on Screen, retraces the genius of the Florentine master.
UK
Interlude in Prague (2017)
★★★★☆
John Stephenson OBE’s take on Mozart’s making of Don Giovanni is a romantic farrago of beautiful costumes and music in Interlude in Prague.
Cannes review: How to talk to girls at parties (2017)
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is a weird mixture of punk and aliens in the British suburbs – and it works.
Cannes review: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
Spaceship (2016)
★★★★☆
Spaceship is a dreamlike, semi-psychedelic, free-flowing story of teenage cyber goths and alien abductions.
The Journey (2016)
★★★★☆
Director Nick Hamm has Ian Paisley and Martin McGuinness in the back of his car in The Journey, imagining a spellbinding road trip that might have triggered their bromance in government in Northern Ireland.
The Pyramid Texts (2015)
★★★★☆
An old boxer returns to the ring one last time to record a video message to his son. It’s an award-winning,moving monologue from veteran star James Cosmo in the Shammasian Brothers’ The Pyramid Texts.
Their Finest (2016)
★★★★☆
Danish director Lone Scherfig’s Their Finest is a very British romcom.
The Sense of an Ending (2017)
★★★★☆
The Lunchbox director Ritesh Batra’s adaption of Julian Barness’ The Sense of an Ending is a sensitive, unflinching reflection the deceptiveness of emotions.
City of Tiny Lights (2016)
★★★☆☆
Multicultural London gets the film noir treatment from director Pete Travis in Patrick Neate’s City of Tiny Lights.
Free Fire (2016)
★★★★☆
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes.
Another Mother’s Son (2017)
★★★★☆
Another Mother’s Son is a true story of wartime courage and a mother’s love starring Jenny Seagrove and a cast of well-known British actors, directed by Christopher Menaul.
Viceroy’s House (2017)
★★★☆☆
An upstairs-downstairs portrait of Indian independence and Partition, Gurinder Chadha’s Viceroy’s House is a history lesson with a big heart.
Festival Review: God’s Own Country (2017)
★★★☆☆
A gay romance set high in the Yorkshire moors, Francis Lee’s God’s Own Country is a no-nonsense evocation of hard-won life in the country.