Tides (2017)
★★★☆☆
Tides directed by Tupaq Felber is a black-and-white, quiet unfolding of old friendships.
UK
Disobedience (2017)
★★★★☆
Sebastián Lelio’s Disobedience is an unorthodox love story set within the constraints of an Orthodox Jewish community.
They Shall Not Grow Old (2018)
★★★★☆
They Shall Not Grow Old, Peter Jackson’s homage to his grandfather is a technically brilliant remastering, colouring and voicing of First World War footage into 3D to show the horror and futility of war for its ordinary foot soldiers.
Peterloo (2018)
★★★★☆
The irony of Mike Leigh’s latest film Peterloo about demanding political representation is that almost 200 years later, this week people are marching for practically the same reasons – to demand a people’s vote, this time on Brexit.
BFI LFF Review: The White Crow (2018)
★★★☆☆
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes.
Possum (2018)
★★★★☆
Possum by Matthew Holness is a suffocating, dark, very British psychological horror.
BFI LFF Review: Peterloo (2018)
★★★★☆
The irony of Mike Leigh’s latest film Peterloo about demanding political representation is that almost 200 years later, this week people are marching for practically the same reasons – to demand a people’s vote, this time on Brexit.
BFI LFF Review: They Shall Not Grow Old (2018)
★★★★☆
They Shall Not Grow Old, Peter Jackson’s homage to his grandfather, is a technically brilliant remastering, colouring and voicing of First World War footage into 3D to show the horror and futility of war for its ordinary foot soldiers.
BFI LFF Review: Colette (2018)
★★★★☆
Keira Knightley dons a corset again to portray France’s greatest woman author Colette from country girlhood to scandalous adulthood in Wash Westmoreland’s Colette.
Us and Them (2017)
★★★★☆
Joe Martin’s Us and Them is a violent riff on the inequalities of contemporary British society that incense articulate young working-class Danny (Jack Roth, channelling his father Tim) and what he does about it.
On Chesil Beach (2017)
★★★☆☆
On Chesil Beach is a well-acted, sensitive adaptation of Ian McEwan’s novella.
Lean on Pete (2017)
★★★★☆
Andrew Haigh’s Lean on Pete is coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
Beast
★★★★☆
Michael Pearce’s assured feature debut Beast is a clever, feral psychological horror that constantly surprises.
Funny Cow (2017)
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.