Zama (2017)
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
★★★★☆
Cannes Film Festival 2018
★★★★☆
Cannes Film Festival 2018.
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
★★★☆☆
A family portrait and a fly-on-the-wall bio-doc of a great pianist, Stéphanie Argerich’s Argerich – Bloody Daughter wraps itself up in maternal knots.
★★★☆☆
The portrait of a teenage mentally handicapped girl in the first throes of sex, Stina Werenfels’ Dora Or The Sexual Neuroses Of Our Parents comes unhinged.
★★★★☆
Going back to the future through interviews with Switzerland’s first gay married couple, Stefan Haupt’s half-documentary The Circle reveals a postwar openness ahead of its time.
★★★☆☆
Sweating the sweet stuff, Markus Imhoof’s More Than Honey stirs the hornets’ nest with a look inside the hive at the threats facing the world’s bees.