Bal / Honey (2010)
★★★★☆
The first and final part in Semih Kaplanoglu’s Yusuf trilogy, Honey is a tender portrait of childhood.
★★★★☆
The first and final part in Semih Kaplanoglu’s Yusuf trilogy, Honey is a tender portrait of childhood.
★★★☆☆
Revisiting the St Bartholomew’s Day Massacre, Bertrand Tavernier’s The Princess of Montpensier tones down the sexy intrigue in favour of female self-determination.
★★★☆☆
JLG is back to his impenetrable best with Film Socialisme, a cascading multi-lingual mosaic of ideas and comment presented as a symphony in three reassuringly dense movements.
★★☆☆☆
With its noble African spirit and picturesque, violent savannah, Justin Chadwick’s The First Grader may be historical tourism, but it’s cine-colonialism with a good heart.
★★★★★
A return to form for François Ozon, Potiche is a melting pot of satire, farce and high camp with a sprinkling of stardust.
★★★★☆
Living la dolce vita in Calabria, Michelangelo Frammartino’s documentary fiction Le Quattro Volte is a naturalist’s reduction of man to matter.
★★★★☆
Ivorian director, Katell Quillévéré’s first feature, Love Like Poison is a tender coming of age tale set amid the religious fervour of small-town Brittany.
★★★☆☆
Based on JR Ackerley’s doggy romance and hand-drawn and painted by Paul and Sandra Feininger, My Dog Tulip is a labour of love twice over.
★★★☆☆
Based on the novel by Jane Rogers, Elizabeth Mitchell and Brek Taylor’s debut Island throws hateful young Nikki into an enchanted isle of folklore and revenge.
★★★☆☆
Based on Kazuo Ishiguro’s retro-fiction novel, Mark Romanek’s Never Let Me Go basks in a very British nowhereland of clones, existential moans and unrequited love.
★★★☆☆
Travelling from the love between Jean-Luc Godard and François Truffaut to a bitter hatred, Emmanuel Laurent’s Two In The Wave is a breathless histoire(s) du cinéma.
★★★☆☆
Nicolas Philibert’s latest documentary observes the supreme diva, Nénette, a 40-year old orang-utan and the star attraction at Paris’ Jardin des Plantes zoo.
★★★☆☆
Dying of prostate cancer and struggling to put his house in order, Alejandro González Iñárritu’s Biutiful sees shady Javier Bardem melt away.
★★★★☆
From bumbling hesitancy to majestic articulacy, Tom Hooper’s The King’s Speech exuberantly charts the rise of the man who would be king.