A Man’s Story (2010)
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.
★★★★☆
With echoes of Michael Haneke, the Austrian master’s casting director Markus Schleinzer has us on a knife-edge with his paedophilia drama Michael.
★★★☆☆
From oligarch to the Siberian gulag, Cyril Tuschi’s documentary Khodorkovsky shines a light on Russia’s murky politics and its most infamous dissident. Oh, those Russians.
★★★☆☆
A compelling insight into the mind of a Christian terrorist, Bruno Dumont’s Hadewijch is a hotbed of religious delusion and misplaced fervour.
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★★★
Michael Fassbender is at his leg-tapping best in Steve McQueen’s Shame, a tale of lonely frustration, sexual addiction and grim redemption.
★★★☆☆
Prolific Franco-Chilean director, Raúl Ruiz’s penultimate film, Mysteries of Lisbon, is a labyrinthine, pan-European, Proustian epic that twists and turns across the generations.
★★★★★
With dazzling performances from Jean Dujardin and Bérénice Bejo, Michel Hazanavicius’ The Artist is a vibrant homage to silent films and the talkies’ falling stars.
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★★☆
Revisiting Louis Malle’s Le Feu Follet and the existential malaise, Joachim Trier’s Oslo, August 31st casts a beautiful eye over the death of summer.