Festival Review: Aferim! (2015)
★★☆☆☆
A black and white romp through 19th century Romanian feudalism, what Radu Jude’s Aferim! lacks in substance, it makes up for in style.
Europe
Festival Review: Every Thing Will Be Fine (2015)
★★★☆☆
A gloriously atmospheric 3D thriller, Wim Wenders’ Every Thing Will Be Fine charts the soul’s repair after a bruising trauma.
Festival Review: Under Electric Clouds (2015)
★★★☆☆
A murky wander through Mother Russia past, present and future, Alexey German’s Under Electric Clouds is an ambitious feat of national navel-gazing.
Festival Review: Body / Cialo (2015)
★★★☆☆
Anorexia, ghosts and the broken bond between father and daughter, Malgorzata Szumowska’s Body is a finely acted black comedy about laying grief to rest.
Festival Review: As We Were Dreaming / Als Wir Träumten (2015)
★★★☆☆
The very German story of rudderless youth in the wake of reunification, Andreas Dresen’s As We Were Dreaming makes for an uninspired and unoriginal adaptation.
Festival Review: Woman In Gold (2015)
★★★☆☆
Dramatising the legal battle over Klimt’s most famous work stolen from a Jewish family by the Nazis, Woman In Gold is a moving courtroom quest for justice.
Festival Review: Mr Holmes (2015)
★★★☆☆
With a bright-eyed performance from Ian McKellen, Bill Condon’s Mr Holmes is a handsome portrait of the detective as an old man.
Festival Review: Victoria (2015)
★★★★☆
Dancing, walking, laughing and shooting their way down the boulevard of broken dreams, Sebastian Schipper’s Victoria is a lyrical one-take wonder.
Festival Review: Diary Of A Chambermaid / Journal d’une Femme De Chambre (2015)
★★★☆☆
A handsome adaptation of Mirbeau’s novel, Benoît Jacquot’s Diary Of A Chambermaid is a vibrant celebration of fin-de-siècle style.
Festival Review: Tough Love / Härte (2015)
★★★☆☆
From pimp to karate teacher, Rosa von Praunheim’s Härte paints a portrait through documentary and drama of a life of violence after a childhood of abuse.
Festival Review: Out Of Nature / Mot Naturen (2014)
★★★☆☆
Putting an unhappy life under the microscope, Ole Giæver’s Out Of Nature is an acute but glum excursion into first world problems.
Festival Review: 45 Years (2015)
★★★★☆
With brilliant performances from Rampling and Courtenay, Andrew Haigh’s 45 Years is an intense observation of a lifetime of marriage unravelled in one week.
Festival Review: The Queen Of The Desert (2015)
★★☆☆☆
A bombastic wannabe epic about desert explorer Gertrude Bell, not even Kidman and Franco can save Werner Herzog’s The Queen Of The Desert.
Amour Fou (2014)
★★☆☆☆
A sober portrait of the woman accompanying Heinrich von Kleist into the hereafter, Jessica Hausner’s Amour Fou isn’t quite as mad as it should be.