The Salvation (2014)
★★☆☆☆
A Danish Western with the magnetic Mads Mikkelsen, Kristian Levring’s The Salvation is gorgeous to look at but as hollow as a Ten-gallon hat.
★★☆☆☆
A Danish Western with the magnetic Mads Mikkelsen, Kristian Levring’s The Salvation is gorgeous to look at but as hollow as a Ten-gallon hat.
★★★☆☆
Telling the story of Gustav Klimt’s masterpiece, Simon Curtis’ Woman In Gold paints a portrait of Nazi-looted art and its journey back into the right hands.
★★★★☆
Exposing the domestic tensions of a family following a near-avalanche, Ruben Östlund’s Force Majeure offers a captivating and wry look at male weakness.
★★★☆☆
With a transgender teen searching for her true self, Ester Martin Bergsmark’s Something Must Break lends a poetic look at the unbecoming state of becoming.
★★★☆☆
Diagnosing the internal conflict of high-ranking Nazi and family man Heinrich Himmler, Vanessa Lapa’s The Decent One exposes the indecency of the “decent”.
★★★☆☆
Chris Bouchard’s Hackney’s Finest is a darkly comic caper with much more violence, hard drug taking and serious swearing than you’d expect.
★★★☆☆
A self-referential odyssey of filmmaking and its ethics, Michael Winterbottom’s The Face Of An Angel loses its way in a labyrinth of satire and horror.
★★★☆☆
Turning Irène Némirovsky’s novel of French occupation into a love story across enemy lines, Saul Dibb’s Suite Française is a powerful, arrogant adaptation.
A showcase of the best of contemporary Italian cinema, Cinema Made In Italy offers a grand tour of the bel paese.
Read More★★★★☆
Gianni di Gregorio’sGood for Nothing is a quirky tale about friendship and standing up for yourself when it is the only thing left to do.
★★★☆☆
In Claudio Noce’s film, hidden secrets and underlying tensions explode against The Ice Forest‘s mountain landscape.
★★★☆☆
Directed by video artists Masbedo, The Lack is a haunting study of absence through the eyes of six desperate women immersed in a silent natural environment.
★★★★☆
Pierfrancesco Diliberto’s The Mafia Kills Only in Summer is an unlikely comedy centred on the bloodshed perpetrated by Sicily’s ruthless Cosa Nostra.
★★★★☆
Fierce and unflinchingly brutal, Kornél Mundruczó’s White God is an unsettling Hungarian allegory brimming with passion, imagination and socio-political resonance.