Festival Review: The Lady In The Van (2015)
★★★★☆
The funny and poignant tale of Bennett’s live-in codger, Nicholas Hytner’s The Lady In The Van is entertainment at its most prestigious.
★★★★☆
The funny and poignant tale of Bennett’s live-in codger, Nicholas Hytner’s The Lady In The Van is entertainment at its most prestigious.
★★★★★
A delicious metaphor on romance and the dangers of being single, Yorgos Lanthimos’ The Lobster is a strangely perfect world.
★★★☆☆
Shining a light on German denazification, Lars Kraume’s The People Versus Fritz Bauer is an important story of a forgotten hero.
★★★☆☆
A sumptuous but strangely outdated adaptation of La Piscine, Luca Guadagnino’s A Bigger Splash is a watery enigma of jealousy and miscommunication.
★★★☆☆
A stylish dystopia set in a world without men, Lucile Hadzihalilovic’s Evolution comes adrift in a sea of beautiful images.
★★★★☆
A brilliant adaptation of Colm Tóibin’s novel, John Crowley’s Brooklyn is a funny and moving portrait of an Irish girl finding herself and emigrating to the USA.
★★★☆☆
Celebrating nearly a century of women’s right to vote, Sarah Gavron’s Suffragette is an important and inspirational film on democracy in action.
★★★☆☆
A six-hour reflection on the financial crisis in Portugal, Miguel Gomes’ Arabian Nights is an intelligent and visually arresting compendium of uneven tales.
★★★☆☆
Plunging the sorry history of Danish colonialism, Daniel Dencik’s Gold Coast brings a wealth of image and colour to a dark time.
★★★☆☆
Revisiting history through the descendants of two high-serving Nazis and a Holocaust survivor, David Evans’My Nazi Legacy bites off more than it can chew.
★★★★☆
A sensitive study of imprisonment and the painfulness of freedom, Lenny Abrahamson’s Room is an emotional, cinematic tour-de-force.
★★★★☆
A devastating portrait of life in Auschwitz’ Sonderkommando, László Nemes’ Son Of Saul is a powerful testament of faith.
★★★☆☆
With an outstanding performance from Ben Foster, Stephen Frears’ The Program gets bogged down in intricately retelling the rise and fall of Lance Armstrong.
★★★☆☆
Adapting JG Ballard’s dystopian novel for the silver screen, Ben Wheatley’s High-Rise is a glamorous reproduction of the Seventies high life.