Festival Review: A Serious Game (2016)
★★☆☆☆
An evocative period drama of forbidden love, Pernilla August’s em>A Serious Game is disappointingly short on characterisation and emotion.
Europe
Festival Review: Alone In Berlin (2015)
★★☆☆☆
Adapting Hans Fallada’s German resistance novel for the silver screen, Vincent Perez’ Alone In Berlin recreates the plot but none of the drama.
Festival Review: Death In Sarajevo (2016)
★★☆☆☆
Set in the multilayered world of a hotel, Danis Tanovic’s Death In Sarajevo begs the question whether we really need a metaphor for the Balkans.
Festival Review: Being 17 (2016)
★★★☆☆
Exploring themes of identity, masculinity and desire, André Techiné’s Being 17 is a delicate portrait of adolescent confusion and first love.
Festival Review: Yarden (2016)
★★★☆☆
Adapted from Kristian Lundberg’s autobiographical novel, Måns Månsson’s Yarden is a parable of entitlement that turns welcomingly political.
Festival Review: Kater (2016)
★★★★☆
Set in Austria’s musical circles, Klaus Händl’s sensuous and delicate Kater sees an idyll of gay love torn asunder by a moment of violence.
Festival Review: Fire At Sea (2016)
★★★★☆
Half-documentary, half-fiction, Gianfranco Rosi’s Fuocoammare paints a portrait of life on Lampedusa with its fishing traditions and new waves of migrants.
The Survivalist (2015)
★★★★☆
A stunning feature debut for director Stephen Fingleton, The Survivalist is a tense post-apocalyptic thriller with a strangely rural setting.
A Bigger Splash (2015)
★★★☆☆
A sizzling relationship drama of lingering sensuality and unspoken tension, Luca Guadagnino’s A Bigger Splash fizzles beneath the weight of an incongruous plot.
Rams (2015)
★★★★☆
A humanistic Icelandic tragi-comedy, Grímur Hákonarson’s Rams sees two estranged brothers forced to unite to save their prized rams.
Youth (2015)
★★★☆☆
A cornucopia of secrets, betrayal, friendship and regret, Paolo Sorrentino’s Youth is the old sod to The Great Beauty‘s bright young things.
Innocence Of Memories (2015)
★★★★☆
Grant Gee’s Innocence of Memories is a multilayered exploration of the innovative novel Museum of Innocence by the Turkish Nobel prize-winning writer Orhan Pamuk.
Lost In Karastan (2015)
★★★☆☆
Set in a fictitious former Soviet-bloc republic, Ben Hopkins’ Lost in Karastan is a very British satire about a very British film director adrift in a totalitarian dictatorship
Room (2015)
★★★★☆
With heartbreaking performances from an exceptional cast, Lenny Abrahamson’s Room is a triumph of delicate relationships and emotional fallout.