Disobedience (2017)
★★★★☆
Sebastián Lelio’s Disobedience is an unorthodox love story set within the constraints of an Orthodox Jewish community.
Ireland
The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
BFI LFF: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
Moon Dogs (2016)
★★★☆☆
Moon Dogs is an appealing, strongly Celtic coming-of-age road movie that showcases vibrant new talent and the riches of Scottish scenery.
Maudie (2016)
★★★★☆
Aisling Walsh’s biopic inspires a transcendent performance from Sally Hawkins as Nova Scotian folk painter Maudie.
Maudie (2016)
Dog and Wolf review coming soon. Maudie is released on 4 August 2017 in the UK.
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Cannes review: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
Return to Montauk (2017)
★★★☆☆
Pianissimo rather than Moderato Cantabile, Volker Schlöndorff’s Return To Montauk fails to soar despite the best possible score.
The Carer (2016)
Acclaimed actor Brian Cox channels his inner King Lear in The Carer, directed by Hungarian János Edelényi. The Carer CAUTION: Here be spoilers The…
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Room (2015)
★★★★☆
With heartbreaking performances from an exceptional cast, Lenny Abrahamson’s Room is a triumph of delicate relationships and emotional fallout.
Festival Review: The Lobster (2015)
★★★★★
A delicious metaphor on romance and the dangers of being single, Yorgos Lanthimos’ The Lobster is a strangely perfect world.
Festival Review: Brooklyn (2015)
★★★★☆
A brilliant adaptation of Colm Tóibin’s novel, John Crowley’s Brooklyn is a funny and moving portrait of an Irish girl finding herself and emigrating to the USA.
Festival Review: Room (2015)
★★★★☆
A sensitive study of imprisonment and the painfulness of freedom, Lenny Abrahamson’s Room is an emotional, cinematic tour-de-force.
Miss Julie (2014)
★★★☆☆
Transporting August Strindberg’s play to colonial Ireland, Liv Ullmann’s Miss Julie imbues her underwhelming tale of forbidden love with Swedish style.