The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
Germany
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
Cannes Film Festival 2018: Day 11
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 10
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 9
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 8
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 7
★★★★☆
Cannes Film Festival 2018
The Wound (2017)
★★★★☆
The Wound (Inxeba) by John Trengove stars Nakhane Touré in a tense drama of gay male sexuality brought into focus by the traditional Xhosa circumcision rite of passage.
Western (2017)
★★★★☆
The captivating German/Bulgarian culture clash in Valeska Grisebach’s Western could only happen in the EU and it’s subversive.
A Gentle Creature (2017)
★★★★☆
Savage satire by Sergei Loznitsa in A Gentle Creature eviscerates contemporary Russia.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
A Fantastic Woman (2017)
★★★☆☆
Facing the humiliation of social exclusion after losing a loved one, Sebastián Lelio’s A Fantastic Woman is a heartbreaking portrait of loneliness.
Berlinale: Transit (2018)
★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.