BFI LFF 2019: It Must Be Heaven (2019)
★★★★☆
It Must Be Heaven continues Elia Suleiman’s deadpan global quest for recognition of Palestinian identity and homeland.
Germany
BFI LFF 2019: The Perfect Candidate (2019)
★★★☆☆
The Perfect Candidate by Haifaa Al-Mansour is a fascinating glimpse of women’s changing status in the patriarchal kingdom of Saudi Arabia.
BFI LFF 2019: Monos (2019)
★★★★★
Monos by Alejandro Landes (Porfirio), set among volatile, trainee teenage guerillas in Latin America, is quite simply one of this year’s best and most disturbing films.
BFI LFF 2019: Previews 3-7 October
★★★★☆
BFI LFF 2019: Previews 3-7 October. Beanpole, Lucky Grandma, Nimic, White Girl, Zombi Child and Bad Education.
Transit (2018)
★★★★★
Transit is a disorienting Casablanca for our times by the renowned German director of Barbara and Phoenix, Christian Petzold.
Photograph (2019)
★★★☆☆
Photograph is another sweet and wistful love story from the director of The Lunchbox, Ritesh Batra.
Opus Zero (2017)
★★☆☆☆
Willem Dafoe is central to Opus Zero, Daniel Graham’s nebulous, Mexico-set feature debut.
Cannes Film Festival 2019: Day 11
★★★★☆
Cannes Film Festival 2019: Day 11
Donbass (2018)
★★★★★
In Donbass Sergei Loznitsa’s anger at the war in eastern Ukraine pours out like red-hot lava in 13 episodes of a vicious cycle of dark comedy, absurdity, brutality and horror.
STYX (2018)
★★★★☆
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Happy as Lazzaro (2018) (Lazzaro felice)
★★★★☆
Happy as Lazzaro by Alice Rohrwacher is a magical-realist fable that features types of exploitation.
Foxtrot (2017)
★★★★☆
Foxtrot is director Samuel Moaz’s original, surreal black comedy of the paradoxes and contradictions of life in Israel and Palestine on the edge of war.
The House That Jack Built (2018)
★★★★☆
Lars von Trier shocks and provokes in bloody, violent, sadistic The House That Jack Built.
The Wild Pear Tree (2018)
★★★★★
The Wild Pear Tree (Ahlat Agaci) is a masterpiece by Turkish director Nuri Bilge Ceylan.