L’Illusionniste / The Illusionist (2010)
★★★☆☆
Based on a script by Jacques Tati, Sylvain Chomet’s The Illusionist is a lyrical love story for sugar daddies and sweet dreamers. As well as residents of Dunedin.
France
Hideaway / Le Refuge (2009)
★★★☆☆
With a heroin junkie and her dead lover’s gay brother hiding away together, François Ozon’s Le Refuge is a subdued meditation on parenthood and loss. It’s baby boom and bust.
Coco Chanel & Igor Stravinsky (2009)
★★★☆☆
As a passionate affair between two 20th century icons, Jan Kounen’s Coco Chanel & Igor Stravinsky is a perfumed symphony of style. But where are the heart notes?
Gainsbourg (Vie Héroïque) (2010)
★★★★☆
From chanson to reggae, Joann Sfar’s Gainsbourg is a soul-staking odyssey through Serge’s life and conquests, through Docteur Jekyll Et Monsieur Hyde.
Film Review: Bluebeard / Barbe Bleue (2009)
★★★☆☆
A faithful adaptation of Perrault’s fairytale, Bluebeard nevertheless conceals a bevy of Catherine Breillat’s favourite themes. But where’s the eroticism?
Wild Grass / Les Herbes Folles (2009)
★★★★☆
Alain Resnais, the great grand-monsieur of French cinema is de retour with Wild Grass a complex, lilting tale of the power of chance.
Villa Amalia (2009)
★★★☆☆
Cheerfully nihilistic, Benoît Jacquot’s Villa Amalia stars Isabelle Huppert as a pianist reinventing her life from scratch on the coast of Naples. O sole mio.
The Girl On The Train / La Fille du RER (2009)
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.
Donne Moi La Main (2008)
★★★☆☆
Exploring the entangled intimacy of twins, Pascal-Alex Vincent’s Donne Moi La Main is a road trip with a difference. But it’s no straight story.
Lourdes (2009)
★★★★☆
With wry humour and religious austerity, Jessica Hausner’s Lourdes explores female potency as hopeful pilgrims jostle for a miracle. O, come all ye faithful.
Micmacs à tire-larigot (2009)
★★★★☆
Taking on the arms trade with customary quirk, Jeunet’s Micmacs launches another political bombshell. But can all this salvage ever hope to hit the bull’s eye?
Un Prophète / A Prophet (2009)
★★★★★
Thrills-and-spills jailbird Bildungsroman or darkly poetic gangster thriller? Whatever it is, Audiard’s Un Prophète is the arthouse blockbuster par excellence.
Enter The Void / Soudain Le Vide (2009)
★★★☆☆
Coursing through Tokyo’s veins by night, Gaspar Noé’s Enter The Void is a psychotropic feast for the senses.