Festival Review: Evolution (2015)
★★★☆☆
A stylish dystopia set in a world without men, Lucile Hadzihalilovic’s Evolution comes adrift in a sea of beautiful images.
France
Festival Review: Madame Courage (2015)
★★★☆☆
Staging a battle of the sexes in Algiers, Merzak Allouache’s Madame Courage reveals a desperate injustice pervading male and female relationships.
La Famille Bélier (2014)
★★☆☆☆
Highlighting one teenage girl’s struggle to manage life as the only hearing member of her deaf family, Eric Lartigau’s La Famille Bélier is riddled with clichés.
Escobar: Paradise Lost (2014)
★★★☆☆
A fictional retelling of the bloody final days of the Medellin cartel, Andrea Di Stefano’s Escobar: Paradise Lost brings a personal touch to Escobar’s violence.
Gemma Bovery (2014)
★★★☆☆
As light and summery as one of her floaty summer frocks, Anne Fontaine’s Gemma Bovery brings to life Posy Simmonds’ graphic novel of Flaubert’s classic.
Eden (2014)
★★☆☆☆
Charting the hopes and dreams of her DJ brother Sven, Mia Hansen-Løve’s celebration of French house music Eden might be leading us up the garden path.
Li’l Quinquin / P’tit Quinquin (2014)
★★★★☆
A French Twin Peaks where crimes are investigated Clouseau-style, Bruno Dumont’s absurd black comedy P’tit Quinquin is both ‘policier’ and satire.
Les Combattants (2014)
★★☆☆☆
Apart from an engaging performance from Adèle Haenel, Les Combattants is a listless love story that never quite gets its feet off the ground.
The New Girlfriend / Une Nouvelle Amie (2014)
★★★☆☆
With delicious performances from Anaïs Demoustier and Romain Duris, François Ozon’s cross-dressing caper The New Girlfriend sizzles like drops on burning rocks.
Clouds of Sils Maria (2014)
★★★★☆
The meaning of life, cinema and everything, Olivier Assayas’ Clouds of Sils Maria is a powerful, thought-provoking two-hander of subtle performance from Stewart and Binoche.
Girlhood / Bande de Filles (2014)
★★★★☆
Set to a pulse-pounding soundtrack, Céline Sciamma’s Girlhood encapsulates the careless, giddy energy of teendom.
Argerich Bloody Daughter (2012)
★★★☆☆
A family portrait and a fly-on-the-wall bio-doc of a great pianist, Stéphanie Argerich’s Argerich – Bloody Daughter wraps itself up in maternal knots.
Suite Française (2014)
★★★☆☆
Turning Irène Némirovsky’s novel of French occupation into a love story across enemy lines, Saul Dibb’s Suite Française is a powerful, arrogant adaptation.
Festival Review: Diary Of A Chambermaid / Journal d’une Femme De Chambre (2015)
★★★☆☆
A handsome adaptation of Mirbeau’s novel, Benoît Jacquot’s Diary Of A Chambermaid is a vibrant celebration of fin-de-siècle style.