BFI LFF: You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here, Lynne Ramsay’s latest film is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
France
BFI LFF: I Am Not a Witch (2017)
★★★★☆
Rungano Nyoni’s I Am Not a Witch is a surreal deadpan satire.
BFI LFF: Let the Sunshine in (2017)
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
BFI LFF: Foxtrot (2017)
★★★★☆
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BFI LFF: 24 Frames (2017)
★★★★☆
Abbas Kiarostami’s experimental, posthumous 24 Frames is a meditative insight into a great filmmaker’s creative process.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Wajib (2017)
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
BFI LFF: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
BFI LFF: Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
BFI LFF: L’Amant Double (The Double Lover) (2017)
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
BFI LFF: Loveless (2017)
★★★★☆
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
BFI LFF: 9 Fingers (2017)
★★★☆☆
Ossang’s latest is a nonsensical escape caught somewhere between Stalker and Maddin. It’s maddening stuff, but intentionally and admirably so.
BFI LFF: The Guardians (Les Guardiennes) (2017)
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
BFI LFF: Ava (2017)
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.