Climax
★★★★☆
Gaspar Noé’s hallucinogenic Climax is as hard core as its bad trip.
France
Wajib (2017)
★★★★☆
Wajib translates as ‘duty’ and Annemarie Jacir’s film focuses on a beautifully observed father-son relationship as they take a road trip around Nazareth amid the confines of being an Arab in Israel.
The Guardians (2017)
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
Under the Tree/Undir trénu (2017)
★★★☆☆
Under the Tree by Hafsteinn Gunnar Sigurðsson is a mordant suburban black comedy that escalates an everyday situation into shocking Icelandic horror.
The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
Racer and the Jailbird
★★★★☆
Xavier Beauvois’ The Racer and the Jailbird stars Adèle Exarchopoulos and Matthias Schoenaerts in an intense, high-speed love affair.
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
L’Amant Double (2017)
★★★☆☆
François Ozon is on quirky erotic form in L’Amant Double, a mystery of psychoanalysis and seduction.
Ismael’s Ghosts (2017)
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
Zama (2017)
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
Cannes Film Festival 2018: Day 12
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 11
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 9
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 8
★★★★☆
Cannes Film Festival 2018