Cannes Film Festival 2018: Day 8
★★★★☆
Cannes Film Festival 2018
Denmark
Cannes Film Festival 2018: Day 7
★★★★☆
Cannes Film Festival 2018
The Islands and the Whales (2016)
★★★★☆
The Islands and the Whales is a stunningly beautiful, unobtrusively shot documentary by Mike Day with a narrative that takes us into the lives of real people caught between tradition and global environmental change in the remote Faroe Islands.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
Thelma (2017)
★★★★☆
In Thelma, both the main protagonist and director Joachim Trier realise the potential of her psychic powers, culminating in a taut and shocking narrative that refuses to bow down to one particular genre.
Cannes review: The Square (2017)
★★★★☆
Ruben Östlund’s The Square is a chilly satire on the pretensions of art and Sweden’s comfortable society.
The Commune (2016)
★★★★☆
Inspired by his experience growing up in a commune, Thomas Vinterberg’s The Commune loses emotional power, buried under a multitude of individual stories.
Men and Chicken (2015)
A bizarre black comedy by Anders Thomas Jenson, Men and Chicken plunges us messily into the grotesque underbelly of genetics. Men and Chicken CAUTION:…
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Festival Review: Gold Coast / Guldkysten (2015)
★★★☆☆
Plunging the sorry history of Danish colonialism, Daniel Dencik’s Gold Coast brings a wealth of image and colour to a dark time.
The Salvation (2014)
★★☆☆☆
A Danish Western with the magnetic Mads Mikkelsen, Kristian Levring’s The Salvation is gorgeous to look at but as hollow as a Ten-gallon hat.
Festival Review: Misfits (2015)
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
Festival Review: Fassbinder To Love Without Demands (2015)
★★★★☆
With unique archive footage, Christian Braad Thomsen’s Fassbinder To Love Without Demands delivers an honest and intelligent portrait of the German director.
Serena (2014)
★★★☆☆
Caught between whip-cracking lioness and jealous femme fatale, Susanne Bier’s Serena offers a muddled portrait of the fairer sex.