BFI LFF: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
Austria
Cannes review: Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs a wealthy bourgeois family living a life oblivious to the human beings around them with chilling results.
Wild Mouse (2017)
★★★☆☆
A delicious comedy exposing the tit-for-tat that sees violence perpetuate, Josef Hader’s Wild Mouse is an uproarious plea for emotional honesty.
Festival Review: Kater (2016)
★★★★☆
Set in Austria’s musical circles, Klaus Händl’s sensuous and delicate Kater sees an idyll of gay love torn asunder by a moment of violence.
The Decent One / Der Anständige (2014)
★★★☆☆
Diagnosing the internal conflict of high-ranking Nazi and family man Heinrich Himmler, Vanessa Lapa’s The Decent One exposes the indecency of the “decent”.
Amour Fou (2014)
★★☆☆☆
A sober portrait of the woman accompanying Heinrich von Kleist into the hereafter, Jessica Hausner’s Amour Fou isn’t quite as mad as it should be.
The Great Museum / Das große Museum (2014)
★★★★☆
A fascinating glimpse of the goings-on at one of the grandes dames of Europe’s museum scene, The Great Museum offers a compelling portrait of Vienna’s Kunsthistorisches Museum.
London Film Festival 2014: In The Basement / Im Keller
In The Basement by Mark Wilshin Nothing makes Austria more terrifying than the films of Ulrich Seidl, and none more so than In The…
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Kuma (2012)
★★★★☆
East meets West in Umut Dag’s Kuma when a Turkish girl, chosen as a second wife, sets an immigrant family living in Vienna awhirl.
Paradise Hope / Paradies Hoffnung (2013)
★★★★☆
With a teenager falling for an older man at fat camp, Ulrich Seidl’s Paradise Hope remains optimistic of a better life. All it needs is a little discipline.
The Wall / Die Wand (2012)
★★★★☆
An exploration of self beyond the lives of others, Julian Pölsler’s The Wall puts femininity and humanity on show in a glass cage.
Paradise Faith / Paradies Glaube (2012)
★★★☆☆
The second film in Ulrich Seidl’s Paradise trilogy, Paradise Faith is a caustic tale of sex, religion and race, on holiday at home in Austria.
Paradise Love / Paradies Liebe (2012)
★★★★☆
The first in Ulrich Seidl’s Paradise trilogy, Paradise: Love looks at holiday racism and fifty-something sex with the Viennese director’s familiar wry humour.
Michael H Profession Director (2013)
★★☆☆☆
Breaking the silence in his documentary Michael H. Profession: Director Yves Montmayeur unpicks the Austrian director’s quest for violent truth and beauty.