Festival Review: Court
★★★★★
Exposing India’s labyrinthine judicial system, Chaitanya Tamhane’s debut feature Court brings a slow dread to the impossibility of justice.
★★★★★
Exposing India’s labyrinthine judicial system, Chaitanya Tamhane’s debut feature Court brings a slow dread to the impossibility of justice.
★★★★☆
Reimagining Dostoyevsky’s Crime And Punishment in the north of the Philippines, Lav Diaz’s Norte, The End Of History is a stunning slowburner of epic proportions.
★★★★☆
Winner of the Camera d’Or for best debut feature at Cannes 2013, Anthony Chen’s Ilo Ilo is a masterfully intimate look at Singaporean family life.
★★★★☆
The emotional secrets of two families are revealed when an Iranian returns to Paris to finalise his divorce from his French wife.
★★★★☆
A testimony to the horrors of the Khmer Rouge in clay, Rithy Panh’s The Missing Picture is a poetic and intelligent rumination on survival, memory and murder.
★★★☆☆
A meditation on the ties that bind, Hirokazu Koreeda’s Like Father Like Son is a delicately Japanese exploration of fatherhood, blood and ambition.
★★★☆☆
Like someone in love, Hong Sangsoo’s Nobody’s Daughter Haewon draws out the loneliness of youth as a pretty student negotiates family, love and relationships.
★★☆☆☆
Canvassing a breadth of opinion from Tibet’s leaders in exile, Dirk Simon’s When The Dragon Swallowed The Sun traces the battle lines drawn and lost during the Beijing Olympics.
★★★☆☆
An ethereal wander through Japanese relationships, Abbas Kiarostami’s Like Someone In Love reveals the clumsy confusion of human communication.
★★★★☆
Caught between tradition and progress, Mira Nair’s The Reluctant Fundamentalist turns Mohsin Hamid’s bestselling novel into a cat and mouse thriller.
★★★☆☆
On location, language and love in a time of change, Aditya Assarat’s Hi-So uncovers Thailand after the tsunami.
★★★★☆
Jiro Dreams of Sushi is a beguiling and beautifully crafted documentary focusing on the life of Japanese sushi chef Jiro Ono.
★★★★☆
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.
★★★★☆
Reinventing Hardy’s Tess Of The d’Urbervilles in a colourful India in its own glorious revolution, Michael Winterbottom’s Trishna is a bitter fall from grace.