The Light Thief (2010)
★★★☆☆
Aktan Arym Kubat’s The Light Thief is a mishmash of comedy, politics and poetry, and yet a haunting portrait of the death of cinema.
Asia
Poetry (2010)
★★★★☆
With geriatric sex and teen suicide, Lee Changdong’s Poetry is no sensationalist exploitation drama, but a dark, tender coming of (old) age.
A Separation (2011)
★★★★★
Following its own merciless and tragic logic, Asghar Farhadi’s divorce parable A Separation is deceptively straightforward, exposing the loss of humanity beyond bitter recriminations.
Norwegian Wood (2010)
★★★★☆
A stunningly cinematic adaptation of Murakami’s novel, Tran Anh Hung’s Norwegian Wood may be a cheerless picture of teen love, sex and death, but it is colourful.
Uncle Boonmee Who Can Recall His Past Lives (2010)
★★★☆☆
A hypnotic journey into reincarnation, monkey gods and talking catfish, Apichatpong Weerasethakul’s Uncle Boonmee is a puzzling but award-winning controversy.
The Hunter (2010)
★★★☆☆
Like an Iranian Falling Down, Rafi Pitts’ The Hunter pushes one man over the edge in a city seething with male anguish and state violence.
Certified Copy / Copie Conforme (2010)
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
Mother (2009)
★★★☆☆
When her simple son is sent to prison for the murder of a local girl, Boon Joon-Ho’s Mother springs into action. Thank you, Mommie dearest.
Frontier Blues (2009)
★★★☆☆
Set in a border backwater in Northern Iran, Babak Jalali’s Frontier Blues follows four men rapidly losing the plot in a land without women.
Women Without Men (2009)
★★★☆☆
Iranian visual artist, Shirin Neshat’s directorial debut focuses on the lives of four women set against a backdrop of political turmoil in 1950s Iran.
24 City (2008)
★★★☆☆
Combining documentary and fiction, Jia Zhang Ke’s 24 City looks at the rise and fall of a Chengdu aeronautics factory. It’s China’s capitalist revolution in miniature.
Kakera – A Piece Of Our Life (2009)
★★☆☆☆
Jellied in postpubescent malaise, Momoko Ando’s debut feature Kakera is a lesbian love story with a dusting of fantasy sprinkles. But is it all sweet nothings?
No-one Knows About Persian Cats (2009)
★★★★☆
Battling an oppressive regime, Bahman Ghobadi’s semi-fictional documentary is a rousing anthem to the power of music. But does it struggle to hit the high notes?
Enter The Void / Soudain Le Vide (2009)
★★★☆☆
Coursing through Tokyo’s veins by night, Gaspar Noé’s Enter The Void is a psychotropic feast for the senses.