Festival Review: An (2015)
★★★☆☆
With cherry blossom, sweet red bean paste and lovable pensioners, Naomi Kawase’s An is a light, soft-centred Japanese fancy.
★★★☆☆
With cherry blossom, sweet red bean paste and lovable pensioners, Naomi Kawase’s An is a light, soft-centred Japanese fancy.
★★★☆☆
When three sisters become four, Hirokazu Koreeda’s Our Little Sister is a homely rumination on family and female friendship.
★★★★☆
With a delicate, mesmerising performance from Rinko Kikuchi, Kumiko, The Treasure Hunter is a darkly comic tale of misadventure – tragic, odd and uplifting.
★★★☆☆
Despite a promising concept of heavenly screenwriters, Sabu’s Chasuke’s Journey ends in an occasionally visually arresting but hare-brained disappointment.
★★★☆☆
A meditation on the ties that bind, Hirokazu Koreeda’s Like Father Like Son is a delicately Japanese exploration of fatherhood, blood and ambition.
★★★☆☆
An ethereal wander through Japanese relationships, Abbas Kiarostami’s Like Someone In Love reveals the clumsy confusion of human communication.
★★★★☆
Jiro Dreams of Sushi is a beguiling and beautifully crafted documentary focusing on the life of Japanese sushi chef Jiro Ono.
★★★★☆
A stunningly cinematic adaptation of Murakami’s novel, Tran Anh Hung’s Norwegian Wood may be a cheerless picture of teen love, sex and death, but it is colourful.
★★☆☆☆
Jellied in postpubescent malaise, Momoko Ando’s debut feature Kakera is a lesbian love story with a dusting of fantasy sprinkles. But is it all sweet nothings?
★★★☆☆
Coursing through Tokyo’s veins by night, Gaspar Noé’s Enter The Void is a psychotropic feast for the senses.