BFI LFF 2024: All We Imagine As Light (2024)
★★★★☆
All We Imagine As Light is a beautiful film about the contrasting lives of three women in India, the second film directed by award-winning Payal Kapadia.
Asia
Girls Will Be Girls (2024)
★★★★☆
Girls Will Be Girls, writer/director Shuchi Talati’s first feature, is a well-observed dramatisation of the misogyny that affects the lives of girls and women.
Venice and Toronto 2024: Mistress Dispeller (2024)
★★★☆☆
Mistress Dispeller, an intimate documentary by Elizabeth Lo, shows a unique Chinese practice.
VENICE 2024: Super happy forever (2024)
★★★★☆
Super Happy Forever by Kohei Igarashi is a star-studded Japanese love story in reverse.
Black Dog (2024) (Gou Zhen)
★★★★☆
Black Dog is ‘Sixth Generation’ director Hu Guan’s hit film, a huge allegory about rapid change in modern China.
Only the River Flows (2023)
★★★★☆
Only the River Flows is a scintillating Chinese neo-noir, the third film directed by Wei Shujun.
About Dry Grasses (2023) (Kuru Otlar Üstüne)
★★★★★
About Dry Grasses by Nuri Bilge Ceylan is another masterpiece from the Turkish auteur.
BFI LFF 2021: Brother’s Keeper (2021) (Okul tirasi)
★★★☆☆
Brother’s Keeper: Ferit Karaha’s tragic tale of boarding school brutality to Kurdish boys in snowy eastern Turkey.
Cannes Film Festival 2024: Day 11: Thursday, 23 May: All We Imagine as Light (2024)
★★★★★
Cannes Film Festival: Day 11: All We Imagine As Light (2024). All We Imagine As Light is a beautiful film about the contrasting lives of three women in India, the second film directed by award-winning Payal Kapadia.
Tiger Stripes (2023)
★★★★☆
Tiger Stripes is a compelling coming-of-age body horror, the first feature by Amanda Nell Eu.
If Only I Could Hibernate (2023)
★★★☆☆
If Only I Could Hibernate written, directed and produced by Zoljargal Purevdash is an involving, behind-the-scenes look at pressing issues in Mongolia, with an ecological message, seen through the life of an endearing teenager.
Evil Does Not Exist (2023) (Aku Wa Sonzai Shinai)
★★★★☆
Evil Does Not Exist by Palme-d’or-winning director Ryu Hamaguchi is a sensitive, mesmeric ecological fable.
Monster (2023) (Kaibutsu)
★★★★☆
Rumours, lies, cover-ups and maybe the truth – all are layers of the onion in the compelling Monster, directed by award-winning Hirokazu Koreeda, written by Yûji Sakamoto, with music by Ryuichi Sakamoto.
Perfect Days (2023)
★★★★☆
Perfect Days is acclaimed director Wim Wenders’ Tokyo-set film for which Koji Yakusho won a well-deserved Best Actor award.