Side Effects (2013)
★★★☆☆
With nods to Hitchcock and Clouzot, Steven Soderbergh’s Side Effects takes on the pharmaceutical industry and the doctors risking it all on wages of fear.
USA
To The Wonder (2012)
★★★☆☆
With its loose strands of lonely souls looking for love, Terrence Malick’s To The Wonder reaches for the stars with his poetry of image.
Hitchcock (2012)
★★★☆☆
Despite great performances from a stellar cast, Sacha Gervasi’s Hitchcock muddles between biopic, a making of and a troubled marriage drama.
Mea Maxima Culpa Silence In The House Of God (2012)
★★★★☆
Through the testimony of signing victims, Alex Gibney’s documentary Mea Maxima Culpa Silence In The House Of God lifts the lid on Church secrecy and child abuse.
Zero Dark Thirty (2012)
★★★★☆
Released barely a year and a half after the capture and killing of Osama bin Laden, Kathryn Bigelow’s Zero Dark Thirty rides high on a wave of political currency.
Boxing Day (2012)
★★★☆☆
Transporting Tolstoy to Los Angeles, Bernard Rose’s Boxing Day is an entirely unfestive Christmas carol on altruism and greed.
End Of Watch (2012)
★★★★☆
A long hard look at the brotherhood and bravery of men on the right side of the law, David Ayer’s End Of Watch takes on the mean streets of LA.
Argo (2012)
★★★☆☆
On a mission to retrieve six Americans in hiding from Iran, Ben Affleck’s Argo is a taut thriller and a hilarious Hollywood caper. Just don’t talk politics.
Keep The Lights On (2012)
★★★★★
A fictional retelling of a boy’s own story, Ira Sachs’ Keep The Lights On charts a nine-year relationship from love’s first highs to its bitterest lows.
Beasts Of The Southern Wild (2012)
★★★☆☆
Mixing magical realism and environmental disaster, Benh Zeitlin’s debut Beasts Of The Southern Wild is a cajun gumbo of childhood, community and imagination.
Radioman (2012)
★★★☆☆
Following New York’s greatest film fan from set to shoot, Mary Kerr’s documentary Radioman is a commentary on celebrity, obsession and the power of perseverance.
Lawless (2012)
★★★☆☆
Revisiting the fraternal bonds of The Proposition and gloomy nihilism of The Road, John Hillcoat’s Lawless is a boisterous fable of male bravado and violence.
Eames: The Architect And The Painter (2011)
★★★☆☆
Beyond the illustrious modernist chair, Jason Cohn and Bill Jersey’s Eames: The Architect & The Painter unseats the man and wife design team with an illuminating bio-doc.
Dark Horse (2011)
★★★☆☆
Delicately new and surprisingly tender, Todd Solondz’s Dark Horse is both a break from the past and a ghostly visitation of the indie auteur’s oeuvre.