
Before I Go To Sleep (2014)
★★☆☆☆
An unsympathetic protagonist is the most damning aspect of Rowan Joffé’s formulaic and sedate adaptation of the best-selling novel.
★★☆☆☆
An unsympathetic protagonist is the most damning aspect of Rowan Joffé’s formulaic and sedate adaptation of the best-selling novel.
★★★☆☆
A strangely off-kilter edit hinders an otherwise enjoyable film, but clever dialogue and pitch-perfect performances ensure Life Of Crime is worth your time.
★★★★☆
Unrelentingly tense from start to finish, Night Moves is a superbly crafted character-driven drama that maintains its stranglehold on your anxiety from start to finish.
★★★★☆
Compelling, terrifying and timely, The Internet’s Own Boy highlights the tragedy of Aaron Swartz’s death and the brutish power of the US Government in the face of political activism.
★★★★☆
Scarlett Johansson’s exciting and eclectic career choices continue with Lucy, a big, brazen, bonkers Besson film.
★★★★☆
Abel Ferrara’s thinly veiled reconstruction of the colourful downfall of former World Bank head Dominique Strauss-Kahn after his fateful encounter with a New York chambermaid.
★★★☆☆
Uncovering Josef Mengele’s hideout in Argentina, Lucía Puenzo’s The German Doctor struggles to make a monster of the Angel of Death.
★★★☆☆
Dark and uncompromisingly grim, David Gordon Green’s Joe is a wicked Southern Gothic tale of violence and vice in the heart of the Deep South.
★★★★★
Richard Linklater’s intimate portrayal of growing up is an intoxicating combination of humour, melancholy and unbridled hope that will mean something to everyone.
★★★★☆
A rich, pulpy, synth-infused southern thriller, Jim Mickle’s Cold In July is a brutish neo-noir homage to the cult classics of old.
★★★☆☆
With a magical use of 3D, Jean-Pierre Jeunet’s TS Spivet sees a gifted 10-year-old trek across America to receive an award for his invention, given to him in the belief he is an adult.
★★★★☆
The powerfully dramatised true story that recreates the last day of a 22-year-old black man, Oscar Grant, shot by railway police in the San Francisco Bay area on New Year’s Day 2009.
★★★☆☆
Fast-moving, gruesome, twisted, about-to-be cult thriller that underneath the horror may pack a violent satirical punch. If ever a film did what it says on the tin, it’s this.