Festival Review: Misfits (2015)
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
★★★☆☆
A portrait of life for gay and lesbian youth in Tulsa, Jannik Splidsboel’s Misfits explores homophobia and identity in the Bible Belt.
★★☆☆☆
A live action remake of Disney’s cartoon classic, Kenneth Branagh’s Cinderella is saved by great performances from Cate Blanchett and Helena Bonham Carter.
★★★★★
A poignant New York story of love in a dark time, Ira Sachs’ Love Is Strange makes for a fine romance of the most human kind.
★★★★☆
Chosen to premiere at Berlin (home of Cabaret), Mark Christopher’s 54: The Director’s Cut recreates a bygone age of synth-infused hedonism.
★★★☆☆
The comic story of a New York gay couple trying for a baby with their 30-something best friend, Sebastián Silva’s Nasty Baby falls apart in the final reel.
★★★☆☆
A gloriously atmospheric 3D thriller, Wim Wenders’ Every Thing Will Be Fine charts the soul’s repair after a bruising trauma.
★★★★☆
A scurrilous comedy about degenerate priests, Pablo Larrain’s The Club rides a dark political undercurrent as God’s rejects refuse to see the light.
★★★★☆
More than a biopic, Bill Pohlad’s Love & Mercy is a portrait of musical genius and mental illness with tour de force performances from Dano, Cusack and Banks.
★★★★☆
A cosmological constellation of water, native tribes and Chile’s disappeared, Patricio Guzmán’s The Pearl Button is a powerful wave of connections.
★★☆☆☆
The visual odyssey of a knight’s quest in search of the meaning of life, Terrence Malick’s Knight Of Cups loses itself in its own watery reflection.
★★★★☆
Dividing the world in two on a butterfly’s wing, Marco Berger’s Mariposa is a charming, delicate tale of the unflappable nature of love.
★★★★☆
A beautifully lensed portrait of Mayan life under the Pacaya volcano, Jayro Bustamante’s Ixcanul exposes the terrifying vulnerability of indigenous peoples.
★★★☆☆
A tense tale of Mexican machismo as a young gun-runner hooks up with a US cop, Gabriel Ripstein’s 600 Miles shows the gangster genre from its sensitive side.
★★★☆☆
A mesmerising portrait of the loneliness of the beautiful, Lírio Ferreira’s Blue Blood is an enigmatic blend of circus, ballet and cinema.