Hail, Caesar! (2016)
★★★★☆
A riotous romp through Hollywood’s golden age, the Coen brothers’ Hail, Caesar! is a hilarious tribute to the (strangely religious) cult of cinema.
Americas
Deadpool (2016)
★★★★☆
Nimble, witty and downright rib-tickling, Tim Miller’s Deadpool takes on the superhero genre with postmodern sharpness.
Trumbo (2015)
★★★★☆
Hollywood eats itself in Jay Roach’s comprehensively entertaining biopic of screenwriter Dalton Trumbo, earning Bryan Cranston an Oscar nomination.
The Big Short (2015)
★★★★☆
Fast-paced comedy-drama about the global financial crash, Adam McKay’s The Big Short makes brilliant entertainment out of a true story of men behaving madly.
The Revenant (2015)
★★★★☆
An electrifying and gripping tale of one man’s journey back from the dead, Alejandro González Iñárritu’s The Revenant finds an unexpectedly spiritual side to revenge.
Room (2015)
★★★★☆
With heartbreaking performances from an exceptional cast, Lenny Abrahamson’s Room is a triumph of delicate relationships and emotional fallout.
The Forbiddden Room (2015)
★★★★☆
Guy Maddin’s The Forbidden Room is a bizarre yet affectionate pastiche of all those films from his favourite filmmaking eras that never got made.
Grandma (2015)
★★★★☆
A lot of fun with an emotional punch, Paul Weitz’s Grandma is an Oscar-worthy tour de force for Lily Tomlin as a rambunctious lesbian feminist grandmother.
Carol (2015)
★★★★☆
A sumptuous adaptation of Patricia Highsmith’s sensational novel, but can Todd Haynes’ Carol bring new life to forgotten Fifties optimism?
Festival Review: Steve Jobs (2015)
★★★★☆
A binary biopic of the computer genius and flawed man, Danny Boyle’s Steve Jobs is a dazzling, moving tale of the digital revolution.
Festival Review: Take Me To The River (2015)
★★★☆☆
A Californian family comes head to head with its Nebraskan relatives in Matt Sobel’s debut feature Take Me To The River is an indie tale of sexual dysfunction.
Festival Review: Green Room (2015)
★★★☆☆
Carving out his own genre of trapped men fighting for survival, Jeremy Saulnier’s taut, gruesome and suspenseful Green Room pulls no punches.
Festival Review: Krisha (2015)
★★★☆☆
Filmed at home with friends and family, Trey Edward Shults’ Krisha is a Cassavetes-style portrait of recovery and addiction. And much more than a home video.
Festival Review: Carol
★★★★☆
Adapted from the novel by Patricia Highsmith, Todd Haynes’ Carol basks in a 1950s glow of glorious chiffons, illicit love and stifled emotion.