Festival Review: Zero Days (2016)
★★★☆☆
Exposing the secrecy around cyber-warfare and the US attack on Iran’s nuclear industry, Alex Gibney’s Zero Days pleads for a break in the silence.
Americas
Festival Review: Little Men (2016)
★★★★☆
A delicate portrait of friendship and fractious neighbours, Ira Sachs’ Little Men is an all-too-brief glimpse into the hopes and dreams of a Brooklyn boy.
Festival Review: Chi-Raq (2016)
★★★★★
A dazzling rap musical against the epidemic of gun violence amongst Chicago’s black communities, Spike Lee’s Chi-Raq is sensational.
Festival Review: Soy Nero (2016)
★★☆☆☆
Following a Mexican teenager on his journey from immigrant to green card holder, Rafi Pitts’ Soy Nero seethes with palpable discomfort.
Festival Review: You’ll Never Be Alone (2016)
★★☆☆☆
A portrait of Chilean society waking up to homosexuality, Alex Anwandter’s You’ll Never Be Alone turns homophobia into a vigilante fight for justice.
Festival Review: Boris Without Béatrice (2016)
★★★★☆
Vibrant, ridiculous and bombastic, Denis Côté’s Boris Without Beatrice treads a deliciously new path of metaphor and internalised anxiety.
Hail, Caesar! (2016)
★★★★☆
A riotous romp through Hollywood’s golden age, the Coen brothers’ Hail, Caesar! is a hilarious tribute to the (strangely religious) cult of cinema.
Deadpool (2016)
★★★★☆
Nimble, witty and downright rib-tickling, Tim Miller’s Deadpool takes on the superhero genre with postmodern sharpness.
Trumbo (2015)
★★★★☆
Hollywood eats itself in Jay Roach’s comprehensively entertaining biopic of screenwriter Dalton Trumbo, earning Bryan Cranston an Oscar nomination.
The Big Short (2015)
★★★★☆
Fast-paced comedy-drama about the global financial crash, Adam McKay’s The Big Short makes brilliant entertainment out of a true story of men behaving madly.
The Revenant (2015)
★★★★☆
An electrifying and gripping tale of one man’s journey back from the dead, Alejandro González Iñárritu’s The Revenant finds an unexpectedly spiritual side to revenge.
Room (2015)
★★★★☆
With heartbreaking performances from an exceptional cast, Lenny Abrahamson’s Room is a triumph of delicate relationships and emotional fallout.
The Forbiddden Room (2015)
★★★★☆
Guy Maddin’s The Forbidden Room is a bizarre yet affectionate pastiche of all those films from his favourite filmmaking eras that never got made.
Grandma (2015)
★★★★☆
A lot of fun with an emotional punch, Paul Weitz’s Grandma is an Oscar-worthy tour de force for Lily Tomlin as a rambunctious lesbian feminist grandmother.