Maggie’s Plan (2015)
What happens when you realise your husband is perfect for his ex-wife? In Rebecca Miller’s screwball New York romcom Maggie’s Plan, life doesn’t always…
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From Afar (2015)
★★★★☆
Lorenzo Vigas’s From Afar (Desda Allá) is a mesmerisingly elliptical, tense psychological study of a dark relationship.
The Intervention (2016)
★★★☆☆
A light comedy of thirty-somethings interfering in their friends’ lives, Clea DuVall’s The Intervention is a lightweight performance piece.
Other People (2016)
★★★★☆
A semi-autobiographical story of comedy in the heart of tragedy, Chris Kelly’s Other People sees both good things and bad happen to us all.
Goat (2015)
★★★★☆
Penned by David Gordon Green and with a cameo performance from James Franco, Andrew Neel’s hazing drama Goat has impeccable indie credentials.
Love & Friendship (2016)
★★★★☆
A witty adaptation of Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship is a sassy parody of Regency manners.
Money Monster (2016)
★★★☆☆
With George Clooney and Julia Roberts, financial media gurus come under the gun in Jodie Foster’s star-studded Money Monster.
Cafe Society
Cafe Society is Woody Allen on good form in a stylish love letter to 1930s Hollywood and New York.
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Knight Of Cups (2015)
★★★☆☆
As a Hollywood pilgrim searches for the meaning of life, Terrence Malick’s Knight Of Cups evokes stunning images that remain ultimately meaningless.
I Saw The Light (2016)
★★★☆☆
Despite a beautiful performance from Tom Hiddleston as Hank Williams, Marc Abraham’s I Saw The Light can’t quite lift the country music icon out of the dark.
Florence Foster Jenkins (2016)
★★★☆☆
A Hollywood companion piece to Marguerite, Stephen Frears’ Florence Foster Jenkins finds a heart of gold beneath the tarnished voice.
Anomalisa (2015)
★★★★☆
A story of depression, alienation and looking for love where the human characters are played by puppets, Charlie Kaufman’s Anomalisa is unsettling and haunting.
Festival Review: Don’t Call Me Son (2016)
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
Festival Review: Miles Ahead (2015)
★★★☆☆
Love and labour lost, Don Cheadle’s biopic Miles Ahead reveals the great jazz musician Miles Davis at his lowest ebb.