VENICE 2024: Manas (2024)
★★★☆☆
Manas by Marianna Brennand takes us into turmoil in a closed Amazonian community.
Brazil
The Delinquents (2023) (Los delincuentes)
★★★★☆
strong>The Delinquents directed by Rodrigo Morena is an enthralling, misleading Argentinian film – original but also reminiscent of Spike Jonze or a reversal of The Shawshank Redemption.
Bacurau (2019) – ON DEMAND
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
BFI LFF 2019: Bacurau (2019)
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
Cannes Film Festival 2019: Day 3
★★★★☆
Cannes Film Festival 2019: Day 3
Cannes Film Festival: Bacurau (2019)
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
The Heiresses/Las Herederas (2018)
★★★★☆
Economically crumbling Paraguay after many years of patriarchal dictatorship is the setting for a subtle story of female self-discovery in Marcelo Martinessi’s The Heiresses.
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
Zama (2017)
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
Bingo: The King of the Mornings (2017)
★★★☆☆
Rampant with brash 1980s Brazilian political incorrectness, Daniel Rezende’s Bingo: The King of the Mornings is based on a true story of an actor’s downfall.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
Aquarius (2016)
★★★★☆
Aquarius is Kleber Mendonça Filho’s unhurried portrait of a fascinatingly complicated woman, meticulously characterised in a career-best performance by Sonia Braga.
Joaquim (2017)
★★★☆☆
A pastoral account of the politicisation of Brazilian hero Tiradentes, Marcelo Gomes’ Joaquim makes up for its slow pace with delicious images.