BFI LFF 2019: COMPETITION WINNERS
★★★★☆
BFI LFF 2019: COMPETITION WINNERS
Argentina
BFI LFF 2019: The Two Popes (2019)
★★★★★
The Two Popes by Fernando Mereilles is a sparklingly written, joyfully acted, behind-the-scenes imagining of historic events made personal that has its international premiere at the BFI London Film Festival.
BFI LFF 2019: Monos (2019)
★★★★★
Monos by Alejandro Landes (Porfirio), set among volatile, trainee teenage guerillas in Latin America, is quite simply one of this year’s best and most disturbing films.
Zama (2017)
★★★★☆
In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
Cannes Film Festival 2018: Day 8
★★★★☆
Cannes Film Festival 2018
BFI LFF: The Summit (La Cordillera) (2017)
★★★★☆
Santiago Mitre’s political thriller The Summit is a prescient tale of high-level corruption.
Cannes review: The Desert Bride (2017)
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.
Neruda (2016)
★★★★☆
Jauja (2014)
★★★☆☆
In Lisandro Alonso’s beautifully shot, minimalist Jauja, a desert in 19th century Patagonia sparks an enigmatic quest into the meaning of life and cinema.
Wild Tales / Relatos Salvajes (2014)
★★★★☆
Crazy, caustic, and ingeniously clever, Damián Szifrón’s Wild Tales is an excellent Argentine selection box of intricate short stories.
Festival Review: Butterfly / Mariposa (2015)
★★★★☆
Dividing the world in two on a butterfly’s wing, Marco Berger’s Mariposa is a charming, delicate tale of the unflappable nature of love.
The German Doctor / Wakolda (2013)
★★★☆☆
Uncovering Josef Mengele’s hideout in Argentina, Lucía Puenzo’s The German Doctor struggles to make a monster of the Angel of Death.
White Elephant / Elefante Blanco (2012)
★★★☆☆
A homage to the men of the cloth fighting poverty in Argentina, Pablo Trapero’s White Elephant explores the moral murk and courage of the missionary position.
Las Acacias (2011)
★★★☆☆
A slowly elegant meditation on intimacy and friendship, Pablo Giorgelli’s Las Acacias will have you screaming from the back seat with glee,”Are we nearly there yet?”