
Sieranevada (2016)
★★★★☆
★★★★☆
★★★★☆
A delicious update of the Emperor’s new clothes parable, Xavier Giannoli’s Marguerite exposes the well-meaning flattery of the have-nots.
★★★☆☆
A chilling psychodrama in primary colours of maternal and social anxiety, David Farr’s The Ones Below leaves a generic horror plot holding the baby.
★★★☆☆
As a couple struggle to come to terms with their unborn baby’s condition, Anne Zohra Berrached’s 24 Weeks uncovers a grey world of female courage.
★★★★☆
A black and white correspondence between an army medic and his new wife, Ivo Ferreira’s Letters Of War is a hauntingly beautiful portrait of war.
★★★★☆
The moving portrait of a Maori family seething under the lash of a ruthless patriarch, Lee Tamahori’s Mahana takes heart in a young man finding his way.
★★★★☆
Exposing the inhumanity of capital punishment on the men who lead them to the gallows, Oliver Schmitz’s Shepherds And Butchers is a powerful portrait of a human timebomb.
Focusing on the refugee crisis, the 66th Berlin Film Festival awards Gianfranco Rosi’s Fuocoammare the Golden Bear and underscores the importance of standing together.
Read More★★★☆☆
With fake marriage markets and illegal babies, Sophia Luvara’s intimate documentary Inside The Chinese Closet reveals gay men and women shouldering their parents’ burden.
★★★☆☆
Depicting the impossible situation of teenagers reclaimed by birth parents, Anna Muylaert’s Don’t Call Me Son clothes her emotion in a plain black smock.
★★★★☆
A multilayered blast of mysterious occurrences in the desert, Mani Haghighi’s A Dragon Arrives! is an enjoyable bafflement.
★★★☆☆
Another French loser comedy about love, men, wine and heritage, Benoît Delépine and Gustave Kervern’s Saint Amour finds a gentle, fruity sparkle.
★★★☆☆
A portrait of four pained women on the cusp of freedom, Tomasz Wasilewski’s United States Of Love takes its passion removed, rejected and unrequited.
★★★☆☆
Love and labour lost, Don Cheadle’s biopic Miles Ahead reveals the great jazz musician Miles Davis at his lowest ebb.