The Skin I Live In / La Piel Que Habito (2011)
★★★★☆
Neither really a return to form for Almodóvar nor a Banderas reinvention, The Skin I Live In is good clean, honest fun. Like Frankenstein and no monster.
R – Hit First, Hit Hardest (2010)
★★★★☆
Playing the waiting game, Noer and Lindholm’s R: Hit First, Hit Hardest reveals the bitter, cinematic truth about life behind bars in a Danish prison.
In A Better World / Haevnen (2010)
★★★★☆
Split between Kenya and Denmark, Susanne Bier’s In A Better World has war and peace in its sights as its playground bullies test the pacifists to the limit.
Sarah’s Key / Elle s’appelait Sarah (2010)
★★★☆☆
With Kristin Scott Thomas charmingly exposing family secrets, Sarah’s Key combines the horror of the Vel d’Hiv round-up with modern traumas and untold stories.
Beautiful Lies / De Vrais Mensonges (2010)
★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.
The Referees / Les Arbitres (2009)
★★☆☆☆
A fly-on-the-wall documentary spotlighting the beautiful game’s men in black, The Referees looks at soccer from a different angle. More obtuse than acute.
The Light Thief (2010)
★★★☆☆
Aktan Arym Kubat’s The Light Thief is a mishmash of comedy, politics and poetry, and yet a haunting portrait of the death of cinema.
Poetry (2010)
★★★★☆
With geriatric sex and teen suicide, Lee Changdong’s Poetry is no sensationalist exploitation drama, but a dark, tender coming of (old) age.
Bal / Honey (2010)
★★★★☆
The first and final part in Semih Kaplanoglu’s Yusuf trilogy, Honey is a tender portrait of childhood.
A Separation (2011)
★★★★★
Following its own merciless and tragic logic, Asghar Farhadi’s divorce parable A Separation is deceptively straightforward, exposing the loss of humanity beyond bitter recriminations.
The Princess of Montpensier (2010)
★★★☆☆
Revisiting the St Bartholomew’s Day Massacre, Bertrand Tavernier’s The Princess of Montpensier tones down the sexy intrigue in favour of female self-determination.
The Tree Of Life (2011)
★★★★☆
Set alight by a family tragedy, Terrence Malick’s beautiful The Tree Of Life spirals out from a son’s death into a divine celebration of life.
Incendies (2010)
★★★★★
Blazing a trail through Lebanon and a family’s past, Denis Villeneuve’s Incendies tiptoes through a chain of unstoppable fires to a reconciliatory future.
The First Grader (2010)
★★☆☆☆
With its noble African spirit and picturesque, violent savannah, Justin Chadwick’s The First Grader may be historical tourism, but it’s cine-colonialism with a good heart.