Review Of The Year: 2012
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
Read MoreAs 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
Read More★★★★☆
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.
★★★☆☆
Transporting Tolstoy to Los Angeles, Bernard Rose’s Boxing Day is an entirely unfestive Christmas carol on altruism and greed.
★★★☆☆
Starring his own mother Charlotte Rampling, Barnaby Southcombe’s psychological London thriller I, Anna is taking motherhood to task.
★★★★☆
Stylish, witty and clever, Xavier Dolan’s Queer Palm winner Laurence Anyways shows the pain of reinvention, the tragedy of impossible love and the survival of the spirit.
★★★★☆
Something is rotten in the state of Denmark, as Thomas Vinterberg’s The Hunt exposes the brutality of blind prejudice faced with the spectre of child abuse.
★★★☆☆
Darkly ruminative, Cristi Puiu’s Aurora is a slow-burning murder mystery like you’ve never seen before.
★★★★☆
An intimate two-hander between Jean-Louis Trintignant and Emmanuelle Riva, Michael Haneke’s Amour sneaks a peek at love behind Parisian closed doors.
★★★☆☆
On a mission to retrieve six Americans in hiding from Iran, Ben Affleck’s Argo is a taut thriller and a hilarious Hollywood caper. Just don’t talk politics.
★★★★☆
A tour-de-force of violence and casual love, Jacques Audiard’s Rust And Bone sees the human spirit triumph over the body’s all-too-vulnerable fragility.
★★★★★
A fictional retelling of a boy’s own story, Ira Sachs’ Keep The Lights On charts a nine-year relationship from love’s first highs to its bitterest lows.
★★★☆☆
With its divided society of rich and poor, Andrey Zvyagintsev’s Elena pushes its morals aside for a murderous take on modern Russia.
★★★☆☆
Mixing magical realism and environmental disaster, Benh Zeitlin’s debut Beasts Of The Southern Wild is a cajun gumbo of childhood, community and imagination.
★★★★☆
Documenting life on Palestine’s front lines, Emad Burnat and Guy Davidi’s 5 Broken Cameras sees a man with a movie camera uncovering the ethics of filmmaking.