Love & Friendship (2016)
★★★★☆
A witty adaptation of Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship is a sassy parody of Regency manners.
The Daughter (2015)
★★★☆☆
Relocating Ibsen’s The Wild Duck to the Australian outback, Simon Stone’s The Daughter remains an intense but stagey melodrama.
The Cannes Film Festival 2016
And the winner of the Cannes Film Festival 2016 Palme d’Or is Ken Loach for his searing film of social criticism I, Daniel Blake.
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Chicken (2016)
★★★★☆
A teen maelstrom of romance, secrets and family in the Essex countryside, Joe Stephenson’s Chicken is a moving portrait of a breaking idyll.
Cannes Film Festival: The Student (2016)
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
La Danseuse (2016)
★★☆☆☆
A portrait of revolutionary dancer Loie Fuller, Stephanie Di Giusto’s La Danseuse makes for a disappointingly pedestrian biopic.
Ma Loute (2016)
★★★☆☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Ma Loute exposes the grotesque in everyone.
Money Monster (2016)
★★★☆☆
With George Clooney and Julia Roberts, financial media gurus come under the gun in Jodie Foster’s star-studded Money Monster.
Mustang (2015)
★★★☆☆
A stirring portrait of female freedom denied, Deniz Gamze Ergüven’s Mustang is a deeply personal story with a profound political resonance.
I, Daniel Blake (2016)
★★★★★
Moving, tragic and brutally direct, Ken Loach’s I, Daniel Blake is a scathing portrait of Britain’s benefits system.
Rester Vertical (2016)
★★★★☆
As a scriptwriter turns shepherd, Alain Guiraudie’s Staying Vertical reveals an existence of fear and lusting in the Midi-Pyrénées.
Cafe Society
Cafe Society is Woody Allen on good form in a stylish love letter to 1930s Hollywood and New York.
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Knight Of Cups (2015)
★★★☆☆
As a Hollywood pilgrim searches for the meaning of life, Terrence Malick’s Knight Of Cups evokes stunning images that remain ultimately meaningless.
I Saw The Light (2016)
★★★☆☆
Despite a beautiful performance from Tom Hiddleston as Hank Williams, Marc Abraham’s I Saw The Light can’t quite lift the country music icon out of the dark.